費孝通先生與西部人文資源研究
方李莉
（中國藝術(shù)研究院藝術(shù)人類學(xué)研究中心，北京 100029）
摘要：《西部人文資源的保護(hù)開發(fā)和利用》和《西北人文資源環(huán)境基礎(chǔ)數(shù)據(jù)庫》的學(xué)術(shù)成果，是由費孝通先生擔(dān)任學(xué)術(shù)指導(dǎo)，并在他支持和申請下立項的國家重點課題。按照費孝通先生的思路，前者主要是在梳理和清點了西部人文資源的基礎(chǔ)上，對西部人文資源進(jìn)行更深入的調(diào)查和研究，提出一些可行性的保護(hù)、開發(fā)和利用的具體措施。后者主要是對西北的人文資源進(jìn)行梳理和清點，也就是通過數(shù)據(jù)庫的建立，來摸清我們的家底。
關(guān)鍵詞：費孝通；中國西部；人文資源；研究
分類號： C91-06文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0005-05
Mr. Fei Xiaotong and Research on the Western Humanities Resources
FANG Li Li
(Art AnthropologyResearchCenter of ChinaAcademy of Art, BeijingChina 100029)
Abstract: “Protection, development and use of the Western humanities resource”and“Northwest humanities resources of environmental infrastructure database”are the academic achievements of the national key projects under the guidance and support of Mr. Fei Xiaotong. In accordance with the idea of Mr. Fei Xiaotong, the former has mainly made in-depth investigation and study of the Western humanities resource based on the sorting and inventory in the western cultural resources and put forward some feasible specific measures of protection, development and utilization. The latter is mainly the database building of the Northwest humanities resources, through the establishment of which to find out our real situation.
Key words: Fei Xiaotong; western China; humanities resources; research
費孝通先生的民族理論
周星
（日本愛知大學(xué)國際交流部，日本 愛知縣 441-8522）
摘要：費孝通的民族研究經(jīng)歷，自始至終地貫穿著對少數(shù)民族社會與文化、民族關(guān)系和中國式民族理論孜孜不倦的探索。分析探討其“多元一體”的民族理論，包括其形成軌跡、內(nèi)容要點、主要貢獻(xiàn)和依然存在的問題，有益于今后持續(xù)的研究。
關(guān)鍵詞：費孝通；民族理論；形成軌跡；貢獻(xiàn)；問題
分類號： C91-06文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0010-11
National Theory of Mr. Fei Xiaotong
ZHOU Xing
(International Department, Japan Aichi University, Aichi Japan 441-8522)
Abstract: Fei Xiaotong’s national research experience, from beginning to end runs through the tireless exploration of society and culture of ethnic minorities, ethnic relations and Chinese ethnic theory. Analysis of their “diversity and unity”of the national theory, including the formation of track, of the contents, the main contributions and the existing problems continuing benefit the future study.
Key words: Fei Xiaotong; national theory; track of formation; contribution; problem
當(dāng)代西方藝術(shù)人類學(xué)研究中的幾個基本問題
李修建
（中國藝術(shù)研究院藝術(shù)人類學(xué)研究中心，北京 100029）
摘要：藝術(shù)人類學(xué)是新興的研究領(lǐng)域，在對20世紀(jì)60年代以來的藝術(shù)人類學(xué)著作進(jìn)行梳理的基礎(chǔ)上，探討了藝術(shù)人類學(xué)研究中的幾個基本問題。藝術(shù)人類學(xué)被視為一門交叉學(xué)科，其研究對象不限于原始藝術(shù)，更包括廣泛的藝術(shù)領(lǐng)域。藝術(shù)人類學(xué)將藝術(shù)視為文化的一部分，主張將其置于具體的語境中進(jìn)行研究。此外，考察了藝術(shù)人類學(xué)的研究史。 〖JP〗
關(guān)鍵詞：當(dāng)代（西方）；藝術(shù)人類學(xué);學(xué)科定位；研究對象；藝術(shù);語境
分類號： J60-02文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0021-07
Some Basic Problems in the research on Contemporary Western Art Anthropology
LI Xiu-jian
(Art AnthropologyResearchCenter of ChinaAcademy of Art, HohhotInner Mongolia 010010 )
Abstract: Art anthropology is a new field of study in the 20th century. Based on the sorting out of the art anthropological works since the 60’s, this article has studied a few basic questions in this field. Art anthropology is considered an inter-discipline, whose research was not limited to original art, including a wide range of art. As part of the culture, art anthropology advocates the specific research in the context. In addition, it also investigates the l research history of art anthropology.
Key words: contemporary (Western); art anthropology; subject positioning; research object; art; context
科爾沁薩滿教藝術(shù)的人類學(xué)解析
色音
（北京師范大學(xué)文學(xué)院，北京 100875）
摘要：科爾沁薩滿教藝術(shù)包括繪畫美術(shù)、音樂、舞蹈等部分。蒙古族薩滿教文化在巖畫藝術(shù)中留下了歷史的痕跡,其繪畫藝術(shù)還表現(xiàn)在薩滿神像以及薩滿法具和法服上的裝飾圖案中；蒙古族的薩滿教舞蹈種類繁多，各具民族特色；而蒙古族薩滿教音樂是獨具特點的宗教音樂。需要說明的是，我們?yōu)榱搜芯糠奖銓⑺_滿教的藝術(shù)分作繪畫、舞蹈、音樂三大部分來分析。然而，在薩滿文化體系中這三者往往是融為一體，不能夠截然分開的。
關(guān)鍵詞：科爾沁；薩滿教藝術(shù)；薩滿文化體系；人類學(xué)
分類號： J19文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0028-08
Anthropology Analysis of Horchin Shamanism Art
Sain
(College of Liberal Arts of BeijingNormalUniversity, BeijingChina 100875)
Abstract: Horchin Shamanism arts contain painting art, music, dance. Mongolian Shamanism culture has left traces in cliff painting art and its painting art is also reflected in the decorative patterns of shaman gods picture, shaman utensils and clothes; Mongolian Shamanism music has a wide range of dance, all with national characteristics; the Mongolian Shamanism music has unique characteristics religious music. What needs explanation is that we will analyze the art of Shamanism from three parts: painting, dance, music. However, these three can not completely separate in Shaman culture system as an integration.
Key words: Horchin; Shamanism art; Shaman culture system; anthropology
故事歌手“江格爾奇”
額爾敦
（內(nèi)蒙古大學(xué)藝術(shù)學(xué)院，內(nèi)蒙古 呼和浩特 010010）
摘要：根據(jù)調(diào)查報告和采訪記錄，探討了故事歌手“江格爾奇”的學(xué)藝過程、創(chuàng)作軌跡和表演傳統(tǒng)。勾勒出史詩《江格爾》的傳承和發(fā)展的基本脈絡(luò)。
關(guān)鍵詞：蒙古族史詩；《江格爾》；江格爾奇；學(xué)藝；創(chuàng)作；表演傳統(tǒng)
分類號： J607文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0036-08
Story Singer “Jianggerch”
Erdun
(Art College of Inner Mongolia University, HohhotInner Mongolia 010010)
Abstract: According to the survey and interview records, this article explores the apprenticeship process, creation track and performance tradition and outlines the basic venation of the inheritance and development of the epic “Jiangger”.
Key words: Mongolian epic; “Jiangger”; Jianggerch ; skill learning; creation; performance tradition
霍爾其格嘎查蒙古族婚禮儀式和婚禮歌現(xiàn)狀的調(diào)查與研究
姚慧
（中國藝術(shù)研究院研究生院，北京 100027）
摘要：內(nèi)蒙古東烏珠穆沁旗薩麥蘇木霍爾其格嘎查蒙古族婚禮的調(diào)查報告，記錄了此地蒙古族婚禮儀式和婚禮歌的現(xiàn)狀，與傳統(tǒng)的蒙古族婚禮儀式相比較，目前蒙古族婚禮及婚禮歌有所變化，但只要牧民們用歌聲“交換”，交流感情的方式不變，婚俗中蒙古族傳統(tǒng)音樂就有可能薪火相傳。
關(guān)鍵詞：東烏珠穆沁；蒙古族婚禮;婚禮歌曲;變遷
分類號： J602文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0044-10
Investigation and Research on HurchigVillage Mongolian Wedding Ceremony and Wedding Songs
YAO Hui
(GraduateSchool of ChineseAcademy of Art, Beijing 100027)
Abstract: The investigation report of Mongolian wedding of HurchigVillage, Samai Sumu of East Uzhuumchin Banner has recorded the survival status of Mongolian wedding ceremony and the wedding songs. Comparing to the traditional Mongolian wedding ceremony, the current Mongolian wedding and wedding songs have certain changes, but as long as the herdsmen exchange their emotions in singing, Mongolian traditional music in wedding customs are likely to be kept.
Key words: East Uzhumuchin; Mongolian wedding; wedding songs; changes
淺議文化遺產(chǎn)的歷史活態(tài)性
——以洗車河鎮(zhèn)手工藝文化與內(nèi)河舶運經(jīng)濟(jì)史之關(guān)系為例
吳昶
（湖北民族學(xué)院藝術(shù)學(xué)院，湖北 恩施 445000）
摘要：洗車河鎮(zhèn)的建筑、木器、髹漆等傳統(tǒng)手工藝，與清末至民國期間當(dāng)?shù)氐慕?jīng)濟(jì)生活關(guān)系十分密切，因此也隨著商埠文化和舶運經(jīng)濟(jì)的興衰而隨之改變。如今，洗車河流域的民族民間手工藝文化已經(jīng)成為難以再生的文化遺產(chǎn)。實際上，它們正在面臨又一輪文化變遷的嚴(yán)峻挑戰(zhàn)。文化遺產(chǎn)保護(hù)的意義往往不僅在于保護(hù)手工藝本身，而且在于其文化與經(jīng)濟(jì)生態(tài)整體的歷史價值和紀(jì)念意義。
關(guān)鍵詞：湘西；洗車河鎮(zhèn)；手工藝；文化遺產(chǎn)；歷史價值；舶運文化
分類號： G112文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0054-06
An Approach to the Living History of Cultural Heritage
——A case study of Xichehe Town crafts culture and its relation to the river transport economic history
Wu Chang
(Art College of Hubei Institute for Nationalities, EnshiCityHubeiProvince 445000)
Abstract: The traditional crafts such as building, carpentry, painting and other in Xichehe Town has close relationship to the local economic life during the time from late Qing Dynasty to the Republic, and therefore it has changed with the change of the commercial port and cultural economic rise and fall. Today, the folk arts and crafts culture in XicheheTown has become a kind of the cultural heritage difficult to be renewed. In fact, it has been facing up to another turn of challenge. The significance of the protection of cultural heritage lies not only in the protection of the art itself, but also in its cultural and historical value of the overall economic and ecological and commemorative significance.
Key words: Western Hunan; XicheheTown; hand crafts; cultural heritage; historical value; ship transportation culture
長角苗禮俗服飾考察
安麗哲
（中國藝術(shù)研究院藝術(shù)人類學(xué)研究中心,北京 100029）
摘要：圍繞人生大事而進(jìn)行的人生禮俗是最為豐富和完善的，使一個社會人通過禮俗儀式擁有了一個新的社會身份，且這種新的身份被整個群體所接受。在這些儀式中，服飾扮演著非常重要的角色。考察了貴州西北部六枝特區(qū)長角苗人生中的三大儀禮習(xí)俗，即成年禮俗、婚姻禮俗和喪葬禮俗及這些禮俗中所涉及的服飾。
關(guān)鍵詞：苗族；民族服飾；禮俗
分類號： G112文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0060-07
Survey on Changjiao Miao Customs and Costumes
AN Li-zhe
(Art AnthropologyResearchCenter of ChinaAcademy of Art, BeijingChina 100029)
Abstract: Customs is the most abundant and perfect around the rituals of life carried out, and make a social man have adopted a new social identity through ceremonies and this new identity is accepted by the entire group. In these ceremonies, dress plays a very important role. This article investigated the three big ceremonies in the northwest Guizhou Miao life namely, adult etiquette and customs, marriage etiquette and customs and funeral rites and the dress involved in the costums.
Key words: Miao people; national dress; etiquette and customs
行走在“似與不似”之間
——對民族服飾文化保護(hù)與創(chuàng)新發(fā)展的一點思考
張琬麟
（中國藝術(shù)研究院美術(shù)研究所，北京 100029）
摘要：服飾由于對人體的保健功能和塑造人的理想的自我外觀形象的精神功能，而使之濡染上濃郁的文化色彩。對民族服飾文化的保護(hù)，應(yīng)該包括其原生態(tài)的外在形式和內(nèi)在精神兩方面的完整保護(hù)；它是民族服飾文化創(chuàng)新發(fā)展的基礎(chǔ)和前提。而將民族服飾文化推向創(chuàng)新發(fā)展的一個可行路徑，是讓服飾的設(shè)計筆觸行走在“似與不似”之間。
關(guān)鍵詞：服飾；雙重功能；文化底蘊；創(chuàng)新
分類號： G112文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0067-07
Walking between the “Like and not Like”
——Thinking of protection and innovation development of the national costumes
ZHANG Wan-lin
(ChinaAcademy of Fine Arts, Beijing 100029)
Abstract: Costumes has rich cultural flavor because of the health functions of the human body and the shape of the ideal of self-image spirit. The protection of the national costumes should include the integrity protection of their original external form and internal eco-spiritual aspects; it is the base and prerequisite of national dress culture innovation and it is a practical way for the national costumes culture to walk between “Like and not Like”.
Key words: costumes; dual function; culture information; innovation
內(nèi)蒙古電影六十年“蒙古人”形象掃描
張蕓
（內(nèi)蒙古師范大學(xué)傳媒學(xué)院, 內(nèi)蒙古 呼和浩特 010022）
摘要：內(nèi)蒙古電影60年中以“蒙古人”形象為表征所折射出來的蒙古民族的形象塑造，是我們認(rèn)識“內(nèi)蒙古電影”創(chuàng)作表意方式的路徑之一，從而可以明晰“蒙古民族形象”塑造的流變脈絡(luò)，進(jìn)而為內(nèi)蒙古電影創(chuàng)作提供一種可以依循的表述策略，期待能為提升內(nèi)蒙古電影自身實力的研究提供一點參考。
關(guān)鍵詞：內(nèi)蒙古電影；創(chuàng)作；形象塑造；“蒙古人”
分類號： J905.2“212”文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0074-06
Scanning of the Image of “Mongols”in the Films of Inner Mongolia in the Past Sixty Years
ZHANG Yun
(Media Institute of Inner MongoliaNormalUniversity, HohhotInner Mongolia 010022)
Abstract: The refracted image of Mongol in Inner Mongolia films in the past 60 years is one of our ways to understand “Inner Mongolia Film”creative expressions. So we can clearly identify the flow context of “Mongolian national identity”, and then provide a formulation of strategy to follow for film-making of Inner Mongolia, to provide a reference for the research on enhancing the strength of Inner Mongolia films.
Key words: Inner Mongolia film; creation; image; “Mongol”
章家瑞電影中的民俗展現(xiàn)及審美價值
郭蕓杉
（中國藝術(shù)研究院研究生院，北京 100027）
摘要：很少有導(dǎo)演像章家瑞一樣，對一個地方如此鐘情。在他為數(shù)不多的5部作品中，4部在云南取景，并且其中的3部都展現(xiàn)了當(dāng)?shù)厣贁?shù)民族的民俗風(fēng)情。分析《婼瑪?shù)氖邭q》《花腰新娘》《紅河》，探討章家瑞是如何利用影像，從商業(yè)和文化的維度展現(xiàn)少數(shù)民族民俗的，以及這類影片的審美價值。
關(guān)鍵詞：電影評論；章家瑞，《諾瑪?shù)氖邭q》；《花腰新娘》；《紅河》；民俗；審美價值；商業(yè)性
分類號： J901文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0080-05
The Folk Show and Aesthetic Value in Zhang Jia-rui’s Films
GUO Yun-shan
(GraduateSchool of ChineseAcademy of Arts, Beijing 100027)
Abstract: Few directors likes Yunnan,a place so much interest as Zhang Jia-rui, In four of his five film works, he finds a view in Yunnan for filming, and three of them have demonstrated the local minority ethic customs. Analysis of “The 17-year-old Ruoma”, “Bride of Huayao”“Red River”explores how Zhang Jia-rui makes the use of images, from the dimensions of show business and cultural ethnic folklore, as well as the aesthetic value of such films.
Key words: movie reviews; Zhang Jia-rui; “Norma’s 17-year-old”; “Huayao Bride”; “Red River”; folk; aesthetic value; commercial
論《西西里的美麗傳說》的反諷策略
謝云霞
（內(nèi)蒙古大學(xué)文學(xué)與新聞傳播學(xué)院，內(nèi)蒙古 呼和浩特 010021）
摘要：電影《西西里的美麗傳說》的創(chuàng)作者運用了語言反諷、情境或命運反諷、戲劇性反諷等一系列的反諷，既掩蓋又表露了自己最強(qiáng)烈的批判情感，使觀眾從聲像表象與自己的真實意圖和深層態(tài)度的偏離中領(lǐng)悟到了含蓄而深刻的美。
關(guān)鍵詞：電影藝術(shù)；《西西里的美麗傳說》；語言反諷；情境反諷；戲劇性反諷
分類號： J901文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0085-03
On the Irony Strategy in the Film “Legend of Sicily”
XIE Yun-xia
(College of Literature and Journalism & Communication, Inner MongoliaUniversity, Huhhot Inner Mongolia 010021)
Abstract: In the movie “legend of Sicily,”the author uses language irony, situational irony or fate irony, a series of dramatic irony, covering but showing his emotions of the strongest criticism, so the audience can get implicit and profound beauty from the audio-visual representation and their the true intentions and attitudes deviating from the deep insight.
Key words: film art; “Legend of Sicily”; language irony; situational irony; dramatic irony
論中國現(xiàn)代悲劇觀念的萌生
潘薇
（吉林藝術(shù)學(xué)院戲劇影視學(xué)院，吉林 長春 130021）
摘要： “五四”時期，出于現(xiàn)實的需要，新文化思想先鋒們在中國大量引進(jìn)、移植西方悲劇樣式，打破了中國傳統(tǒng)戲劇中悲喜混合的大團(tuán)圓情節(jié)模式，在中國劇壇催生出話劇這一嶄新的藝術(shù)樣式，并使得悲劇觀念與審美得到了推崇與發(fā)展。
關(guān)鍵詞： “五四”時期；中國現(xiàn)代戲?。辉拕?；悲劇觀念
分類號： J801文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0088-04
On the Producing of the Chinese Modern Tragedy Concept
PAN Wei
(TelevisionDramaCollege of JilinArtCollege, ChangchunJilinProvince 130021)
Abstract: In the “5.4”period, for practical needs, the new culture thinking pioneers in China introduced a large number of transplanted Western tragedy styles, breaking a mixed mode of happy circumstances with sorrows and joys of traditional Chinese drama, and gave birth to Chinese modern drama and makes the tragedy and aesthetic ideas be respected and developed.
Key words: “5.4”period; Chinese modern drama; drama; tragedy concept
中國革命題材民族歌劇唱段中女高音的演唱分析
——以《黨的女兒》和《白毛女》為例
孫俊鈺
（內(nèi)蒙古師范大學(xué)音樂學(xué)院，內(nèi)蒙古 呼和浩特 010010）
摘要：我國民族歌劇藝術(shù)，從“五四”新文化運動到解放戰(zhàn)爭，在動蕩的社會環(huán)境和艱苦的戰(zhàn)爭條件下走過了近三十年的歷程。新中國成立后，我國革命題材民族歌劇創(chuàng)作達(dá)到了新的高潮。比較分析《白毛女》和《黨的女兒》中主人公的女高音唱段，以探求演唱者表現(xiàn)藝術(shù)作品的情感與思想意義。
關(guān)鍵詞：民族歌?。恢袊锩}材；女高音；藝術(shù)表現(xiàn)；歌劇形象
分類號： J617.2文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0092-04
Analysis of the Soprano Singing of China’s national opera with the revolutionary theme
——Take“The daughter of the Party”and“White-haired girl”as examples
Sun Jun-yu
(Music College of Inner Mongolia Normal University, Hohhot Inner Mongolia 010010)
Abstract: China’s national opera, from the“May 4th”New Culture Movement to the War of Liberation in the turbulent social environment and the difficult conditions of war, has gone through the course of nearly three decades. Since the founding of New China, the revolutionary subject of China’s National Opera has reached a new climax. Comparative analysis of the soprano aria in“White-haired girl”and “Daughter of the Party,”intends to explore the artist’s emotional performance art and thought.
Key words: National Opera; Chinese revolution theme; soprano; artistic expression; opera image
民族聲樂頭腔共鳴的位置和氣息控制
鄒燕
（赤峰學(xué)院音樂學(xué)院, 內(nèi)蒙古 赤峰市 024000）
摘要：頭腔共鳴作為歌唱中的重要共鳴方式，在聲樂教學(xué)和聲樂理論研究中認(rèn)識一直比較模糊，致使歌唱和教學(xué)中應(yīng)用頭腔共鳴成了一個技術(shù)難點。通過對聲樂理論的分析和教學(xué)實踐的總結(jié)，提出了民族聲樂的歌唱和教學(xué)應(yīng)當(dāng)進(jìn)一步加強(qiáng)頭腔共鳴的應(yīng)用，并給出了各聲區(qū)在頭腔中的共鳴位置及控制氣息擊打在適當(dāng)位置的方法。
關(guān)鍵詞：民族聲樂；歌唱技術(shù)；頭腔共鳴；共鳴位置；共鳴分配；氣息方向
分類號： J616.2文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0096-05
The Location of the Head Cavity Resonance of National Vocal Music and Its Breath Control
ZOU Yan
(ChifengMusicCollege, Chifeng Inner Mongolia 024000)
Abstract: As an important way in singing, the recognition tothe head cavity resonance has been vague so that the using of it in teaching has been a difficult technical problem. This article analyzes the vocal music theory, summarizes the teaching practice, puts forward that national vocal music should further strengthen the head cavity resonance applications, and gives appropriate method to find the area of the resonance in the head cavity for breath control.
Key words: national vocal; singing techniques; the head cavity resonance; resonance position; resonate distribution; breath direction
泰山碧霞祠道教音樂所用曲牌音樂結(jié)構(gòu)研究
林琳 郝亞莉
（1.2.山東泰山學(xué)院音樂系，山東 泰安 271000）
摘要：泰山道教音樂是泰山文化的重要組成部分。碧霞祠作為現(xiàn)今泰山道教及泰山道教音樂的主要傳承發(fā)揚地，至今已有一千多年的歷史。多次深入實現(xiàn)的田野調(diào)查與走訪，認(rèn)為碧霞祠所用道教音樂曲牌音樂結(jié)構(gòu)與所誦經(jīng)文的結(jié)構(gòu)、道士的宗教信仰、宗教思想、誦唱風(fēng)格及齋醮儀式的不同有著密切的關(guān)系，使它們之間相輔相承。
關(guān)鍵詞：泰山道教音樂；碧霞祠；音樂結(jié)構(gòu)
分類號： J608文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0101-04
Research on the Music Structure of TaoistBixiaTemple on MountTai
LIN Lin HAO Ya-li
(1.2. Music Department of ShandongTaishanCollege, Tai’an ShandongProvince 271000)
Abstract: The Mount Tai Taoist music is an important part of the MountTai culture. Bixia Temple of Taoism, as main spot for the present and the Taoist music transmission, has a history of thousand years. Several in-depth field research and visits has concluded that the music structure used in the BixiaTaoistTemple is closely related to the chanting music in the structure of the text, Taoist religion, religious thought, chant style and praying ceremony of.
Key words: Taoist music; BixiaTemple; music structure
我國喪葬儀式中的“哀樂”在多元文化背景下的演變
吳滌
（麗水學(xué)院藝術(shù)學(xué)院音樂系， 浙江 麗水 323000）
摘要：哀樂是和葬禮有關(guān)的儀式音樂。內(nèi)容有對死者的悼念，對親屬的安慰、寄托指引亡魂回到祖先居住的地方去安息的情懷等。隨著人類社會文明的不斷進(jìn)步，政治、經(jīng)濟(jì)、文化等諸多方面的快速發(fā)展，多元文化背景下的哀樂在當(dāng)今表現(xiàn)形式上也發(fā)生了巨大變化。不同的審美角度、文化傳統(tǒng)以及儀式音樂的社會功能成為哀樂在多元文化背景下的演變的因素。
關(guān)鍵詞：儀式音樂；哀樂；多元化；傳承；變化；
分類號： J649文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0105-03
The Evolution of the “Mourning Music” in the Funeral Ceremonies of China’under the Multi-cultural Background
WU Di
(Music Department of LishuiArtCollege, LishuiZhejiangProvince 323000)
Abstract: The dirge is the music related to a funeral ceremony. The contents include the memory of the dead, the comfort to relatives, expressing the mood for the dead to go to the places where their ancestors rest and so on. With the continuous progress of human civilization, political, economic, cultural and many other aspects of the rapid development of multi-cultural background, the funeral music in the contemporary form of expression has changed dramatically. Different aesthetic points of view, cultural traditions and social functions of ritual music have become the factors for the evolution of funeral music in the multi-cultural background.
Key words: ceremony music; funeral music; diversification; heritage; change
淺論二胡敘事曲《新婚別》二度創(chuàng)作中弓法的技術(shù)把握
王垚磊
（內(nèi)蒙古大學(xué)藝術(shù)學(xué)院， 內(nèi)蒙古 呼和浩特 010010）
摘要：對二胡敘事曲《新婚別》這首樂曲進(jìn)行二度創(chuàng)作的過程中，弓法、揉弦、滑音等演奏技術(shù)根據(jù)音樂情緒的準(zhǔn)確應(yīng)用，將極大地豐富二度創(chuàng)作的表現(xiàn)張力。當(dāng)然，演奏者要經(jīng)過大量有針對性的技術(shù)訓(xùn)練，才能使二度創(chuàng)作成為一種“心手相應(yīng)”的表達(dá)。
關(guān)鍵詞：二胡敘事曲；《新婚別》；二度創(chuàng)作；弓法；技術(shù)把握
分類號： J632.21文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0108-05
An Approach to the Grasp of Bow Techniques in the Second Creation of the Erhu ballad, “Newly-weds Departure”
WANG Yao-Lei
(Art College of Inner Mongolia University, Huhhot Inner Mongolia 010010)
Abstract: In the process of the second creation of the Erhu ballad, “Newly-weds departure”this song for the process, the bow, Vibrato, the accurate using of the bow, string and portamento will greatly enrich the performance of the second creation of tension. Of course, the players have to go through a lot of technical training process to reach an expression of a second creation as“hand and heart Corresponding”.
Key words: Erhu Ballade; “Newly-weds departure”; second creation; bow playing; technical grasp
“活動因素”在西方現(xiàn)代派藝術(shù)中的流變
靳彥
（內(nèi)蒙古大學(xué)藝術(shù)學(xué)院美術(shù)系， 內(nèi)蒙古 呼和浩特 010010）
摘要：未來派畫家推動了“活動因素”在繪畫和雕塑中的運用和創(chuàng)新，把事物從二度空間引入到三度空間，再到加入流動時間的四度空間，這種探索不但打破了造型藝術(shù)是靜態(tài)藝術(shù)的特性和傳統(tǒng)雕塑的封閉性空間，而且極大地豐富了現(xiàn)代藝術(shù)的種類，也為20世紀(jì)西方現(xiàn)代派藝術(shù)的發(fā)展提供了新的可能和啟示。
關(guān)鍵詞：西方現(xiàn)代派藝術(shù)；繪畫；活動雕塑；未來主義
分類號： J110.99文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0113-05
Rheology of the“Activity Factor”in the Western Modern Art
JIN Yan
(Art Department, ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: The futurist painters has promoted the use and innovation of the“activity factor”in painting and sculpture, and introduces the two-dimensional to three-dimensional space, to join the flow time of the fourth dimension, this exploration not only broke the closed space that traditional sculpture art is static, modeling art is the art of characteristics and greatly enriched the types of modern art. It offers new possibilities and inspiration for the development of modern art in the 20th Century.
Key words: western modern art; painting; mobile sculpture; futurism
淺析大型壁畫《創(chuàng)作·收獲·歡樂》的構(gòu)圖特點
萬國英
（青海民族大學(xué)藝術(shù)系， 青海省 西寧市 810007）
摘要：北京飯店大型壁畫《創(chuàng)作·收獲·歡樂》是劉秉江先生于上世紀(jì)80年代創(chuàng)作的精品。其構(gòu)圖特點有：圓和方的構(gòu)圖彌補(bǔ)了墻體的限制；整體構(gòu)圖彌補(bǔ)了對空間視覺距離的限制；圓形構(gòu)圖合乎八卦圖中陰陽魚太極圖等。
關(guān)鍵詞：大型壁畫；劉秉江；《創(chuàng)作·收獲·歡樂》；構(gòu)圖；特點
分類號： J218.6文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0118-03
Analysis of the Composition Features the Large-scale Mural “reation·Harvest·Joy”
WAN Guo-ying
(Art Department of Qinghai University for Nationalities, Xining inghai Province10007)
Abstract: The mural “reation·Harvest·Joy”in Beijing Hotelis was created by Mr. Liu Bingjiang in the 80s of last century and it is a creative boutique. The composition features: the round and square structure makes up the wall restrictions; overall composition makes up the visual space constraints; circular composition adapts to the fish out of Yin and Yang Eight Diagrams of Taiji chart.
Key words: large-scale murals; Liu Bingjiang; “reation·Harvest·Joy”; composition; features
試論招貼廣告的視覺語言傳播
李鴻明
（廣州番禺職業(yè)技術(shù)學(xué)院, 廣東 番禺 511483）
摘要：招貼廣告的生命在于創(chuàng)意，它能使招貼的主題突出并具有深刻的視覺內(nèi)涵，招帖廣告的具象要素固有視覺語言，是實現(xiàn)抽象要素設(shè)計理念要素的前提。抽象要素設(shè)計理念要素，是在客觀固有要素的基礎(chǔ)上通過創(chuàng)意加工、形式處理及藝術(shù)表現(xiàn)來實現(xiàn)的。
關(guān)鍵詞：招貼；廣告藝術(shù)；視覺要素；信息傳播
分類號： J524.3文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0121-03
Approach to the Visual Language Transmission of Poster Advertisements
LI Hong-ming
(Guangzhou Panyu Vacational College, Panyu Guangdong 511483)
Abstract: The life of the poster advertisement lies in its creation. It makes them have outstanding subjects and profound visual connotations. The inherent elements of poster advertisements are visual language, and it is the premise of the realization of the abstract elements for design elements. Abstract elements design idea elements and they are realized ion the basis of an innovative process, forms processing and artistic expression.
Key words: poster advertisements; advertising art; visual elements; information
內(nèi)蒙古廣告業(yè)營銷策略初探
顧謙倩
（內(nèi)蒙古大學(xué)藝術(shù)學(xué)院藝術(shù)設(shè)計系， 內(nèi)蒙古 呼和浩特 010010）
摘要：未來的內(nèi)蒙古廣告業(yè)需要適應(yīng)企業(yè)的創(chuàng)新需求，通過參與企業(yè)產(chǎn)品和生產(chǎn)工藝過程創(chuàng)新，直接介入企業(yè)的市場分析、產(chǎn)品分析、用戶分析、營銷策劃和廣告策劃，選擇與確定企業(yè)的銷售重點，從而實現(xiàn)企業(yè)將草原文化融入品牌的市場創(chuàng)新，并為企業(yè)制定出能適應(yīng)市場變化的整體營銷廣告戰(zhàn)略和策略。
關(guān)鍵詞：內(nèi)蒙古；廣告業(yè)；文化傳播；營銷策略
分類號： J524.3文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0124-04
On the Marketing Strategies of the Advertising Industry of Inner Mongolia
GU Qian-qian
(Art Design Department, ArtCollege of Inner MongoliaUniversity, Huhhot Inner Mongolia 010010)
Abstract: The future Inner Mongolia advertising industry needs to adapt to innovation of enterprises, through participation in enterprise products and production process innovation, and directly involve in business market analysis, product analysis, user analysis, marketing plan and advertising plan, select and determine the company’s sales focus so as to achieve the market innovation of melting the grassland culture into brands and develop the overall marketing strategy and advertising strategy adapting to market changes for the enterprises.
Key words: Inner Mongolia; advertisement industries; culture transmission; marketing strategies
小議蒙古民間舞中查瑪舞影響因素
安潔
（深圳群眾藝術(shù)館，廣東 深圳 518049）
關(guān)鍵詞：蒙古民間舞；藏傳佛教；查瑪舞；影響因素
分類號： J722.222“212”文獻(xiàn)標(biāo)識碼： A文章編號： 1672-9838（2010）02-0128-03
Comment on the Chama Mongolian Folk Dance Factors in Mongolian Folk Dance
AN Jie
(ShenzhenMassArtCenter, ShenzhenGuangdongProvince 518049)
Key words: Mongolian folk dance; Tibetan Buddhism;Chama dance;inflence factors
中國北方民族文化研究論文索引（1991）
其其格
（中央民族大學(xué)圖書館，北京100081）
關(guān)鍵詞： 論文索引；中國北方民族；文化研究；民族學(xué)研究
分類號： Z87文獻(xiàn)標(biāo)識碼：D文章編號： 1672-9838（2010）02-0131-06
Index of Research papers on Northern China Culture 1991
Checheg
(Library of Central University for Nationalities, Beijing 100081)
Key words: paper Index; northern China nationalities; culture studies; ethnic studies